As mentioned yesterday, I had a plan for today’s piece which worked out just great. Executed after seeing the Malevich and Matisse shows at Tate Modern I posted it in a double box just round the back.
Today’s piece gave me cause for a lot of thought about being true to myself and having the courage to stick to the visual statement I am moved or minded to make. There was something in me wanting to make this piece more accessible to a wider audience even though it was not the right thing. I wonder if Barnet Newman ever thought of sticking a little flower in on of his vast expanses of colour? Did Malevich ever consider a smiling face to make his chilling severity more friendly? Did Mondrian explore the possibility of a cute dog in one of his grids? I doubt it very much. So how come I am worrying that people may find my work hard to grasp or shallow or whatever? So then I worry if it’s derivative or of its time or out of fashion! I worry should I create things in the hope that people like them? It is certainly pleasant and reassuring when people like my work but I don’t always understand why.
This piece to the right has been favourited and retweeted on Twitter much more than I could imagine. I have no idea what it is about. Moreover I have no idea what it is that people like about it. There are elements in it that I incorporate into my work generally but broadly it is not really my style – but maybe these sketchbook doodles are what I should be doing more of? Should I make work like this and see if people approve? I have remembered that I have created a large piece which has some of the feel of this one. I must photograph it and post it to see what reaction it elicits!