Polly attempts the double rabbit for No36

Shadow shapes
Polly tries the double rabbit but it comes out a bit goatish, while Christopher’s cock pheasant and calf’s foot get obliterated

Clearly inspired by my recent successes with shadows that look like a rabbit holding a credit card between its ear and its nose, Polly Gifford and Christopher Winter went for high-scoring but difficult counter responses as #Letter365 No36 is delivered at tonight’s PV of Christopher’s solo show. at Bridport Arts Centre. Polly’s attempt at the double rabbit unfortunately has ended up with goatish features, while Christopher’s quite radical rendition of the cock pheasant and calf’s foot – a combination rarely seen these days – has been obliterated by a square shape presumably conjured from the spirit worlds.

This was directly following Christopher giving a séance performance in which he channelled Picasso who did some drawings using Christopher’s hand to guide the pen.

Christopher Winter preparing to channel Picasso
Christopher Winter preparing to channel Picasso

Berlin-based Christopher has channelled the drawing talents of many dead artists, starting with Hans Holbein the Younger. The table at which he is seated takes its inspiration from the perspectivally-distorted, foreshortened skull in Holbein’s painting The Ambassadors. Winter’s work is one in which the seemingly mundane and day-to-day is disturbed and distorted by random, etherial oddities so it was only fitting that when he graciously agreed to deliver today’s #Letter365 piece he should aim for it to levitate into Polly’s hands.

Christopher Winter levitates #Letter365 No36 into Polly Gifford's hands
Christopher Winter levitates #Letter365 No36 into Polly Gifford’s hands

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